Art speaks to me

When words cant be found to convey thoughts, emotions, dreams or desires art relays the message in a poetic and vivid form. Visual art can mentally transport us to a pastoral setting of peace and quiet, or its abstract shapes with hard edges, jagged lines or circular forms, can open our minds eye to the curiosity of self expression.
An artist is born.

br /br /a href=http://www.piccadillys.com/blog/wp-content/uploads/2011/10/20111030-092917.jpgimg src=http://www.piccadillys.com/blog/wp-content/uploads/2011/10/20111030-092917.jpg alt=20111030-092917.jpg class=alignnone size-full //a

Giclee prints and counterfeiting Part II

On the last post, I told you about the couple who came into the gallery to show me some Thomas Arvid artwork which they had purchased from the back of a van. The work was counterfeit.

I told the couple to leave the work, and I would contact the artist.

When I told the story to Rob, Arvid’s VP of sales and marketing, he said ship them to him so he could examine them and start the research.

I shipped them out and within a day I heard back from Rob. They were indeed counterfeit. Next they had to track them back to the gallery that originally ordered them. That gallery on the east coast was willing to share that information as to when and to whom the pieces were sold. Things were starting to fall into place and step two was complete.

Tracking down the original owners was the next challenge. Wouldn’t you know the original owners had moved and left no forwarding address for the gallery? And after several months of searching for the original owners, the publisher had to give up the search.

Read our next blog post for the conclusion.

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Giclee prints and counterfeiting

How do you know your limited edition giclee print is genuine or fake?

PJ Campbell,
owner

Piccadilly’s Fine Art Galleries

Part 1

What’s wrong with this picture?

With state of the art giclee printing, it can be very difficult to tell an authentic reproduction from a counterfeit.

I had my first run in with fakes about fifteen months ago when a couple, “newbie” collectors, came into my gallery. They had purchased work that they thought was from Thomas Arvid. The knock-offs were faded and I immediately thought they were fake.

As I listened to their story about how they came across these “sold out” prints, all the signs were present: the so called art dealer was not authorized by Thomas Arvid, the prints had been sold out for over two years so they were hard to come by, they were priced at 5,000.00 each but if they purchased one, they would get the other one free (always, if it sounds too good, walk away) and finally the transaction was taking place in the back of a van.

Remember, common sense tells you that if it sounds too good to be true, it is too good to be true.

I immediately pulled out Arvid’s inventory list to check the size, the date and specifics of each piece. The most glaring discrepancy came from the size of the fakes: each was reduced by two inches from the original size that Arvid had intended.

With dismay, the couple looked at me and said, “what do we do?”

Part II

Where to go from here?

What is a giclee print

Most people recognize the terms lithograph or serigraph, methods used by artists to reproduce their original work.

These processes made it possible for an average person to hang a Monet or Picasso print on their wall and enjoy the work.

These reproductions, printed on paper, are primative compared to today’s giclee reproductions.

Thanks to digital scanning technologies, the artist can take the original and have it scanned or digitally photographed and then printed directly on canvas, making a reproduction that is remarkably unique.

The goal of the artist and printer is to make a reproduction that looks exactly like the original.

Many artist go back over the reproduction and add extra paint to areas of the canvas. This hand-embellishment makes each reproduction unique and